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The Magnificent Seven: Mixed Media Watches That Embody Artistic Expression
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Horological Expressions: Face-to-Face with Two New Konstantin Chaykin Collabs
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How Tudor Used the Black Bay and METAS Certification to Become an Beacon of Horological Quality
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Pavé-ing The Way: 5 Brands That Are a Cut Above the Rest in Their Use of Diamonds
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Geneva Watch Days: Bulgari’s New Octo Finissimos Continue to Go Beyond the Elements by Using a New Material
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Carefree Complexity: Audemars Piguet Focuses on Comfort & Ease-of-Use with Its Latest Crop of Complicated Watches
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Watchonista: Volume 03 Exclusive Preview – Don’t Cry Over Spilled Ink: Using Pens in a Digital Word
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Meet The Artist: Bryan Braddy’s Timely Expressions
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They DO Make Them Like They Used To: Introducing The New Bulova Oceanographer “Devil Diver”
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Putting A Pilot’s Watch To Good Use, IWC’s Timezoner Spitfire “The Longest Flight” Takes Flight
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The Casio G-SHOCK MT-G, The Only “Connected” Watch Collectors Will Actually Find Useful
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Baselworld 2016: Passion for all
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From SIHH to Baselworld 2016: three annoying utterances
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Tiffany Chronograph CT60: mixing useful with enjoyable
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Swiss precision: the COSC. Instructions for use (part 3)
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The diamond screw: will it be soon used in watches?
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Eric Bana at Baselworld, our short interview
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Finished and ready for use: the new hall complex for BASELWORLD has been completed
